S2EP7 Što je zajedničko Dolly Parton i Tizianu?

Kreativnost rijetko nastaje u vakuumu; ona se najčešće gradi na ramenima prethodnih velikana. U ovoj epizodi raščlanjujemo koncept „covera” i citatnosti u likovnoj umjetnosti kroz nekoliko razina, od kopije preko interpretacije konkretnog djela do preuzimanja stila.

Kopija, emulacija (i natjecanje s uzorom)

Dolly Parton; Whitney Houston – I Will Always Love You 

Dolly: https://youtu.be/pW2TgGy5gjY?si=YVP0aFNyr1pVnnw8

Whitney: https://youtu.be/3JWTaaS7LdU?si=wpswQVJ-6O4c6nTe 

Tizian, Adam i Eva, o. 1550. https://www.museodelprado.es/en/the-collection/art-work/adam-and-eve/e0ca4331-fb89-47a7-9ba0-be0ece23426b

Rubens, Adam i Eva, 1628.–29. https://www.museodelprado.es/en/the-collection/art-work/adam-and-eve/de0047db-6f8b-4761-a55b-ad41e959cca2

Tizian, Otmica  Europe, o. 1560.–62. https://commons.wikimedia.org/wiki/File:Tizian_085.jpg

Rubens, Otmica Europe, 1628.–29.

https://www.museodelprado.es/en/the-collection/art-work/the-rape-of-europe/a136a9c4-3a2f-44bd-ab8a-97fd47c30d7e 

Interpretacija i dekonstrukcija konkretnog djela 

Velázquez, Tkalje ili Bajka o Arahni, 1655.–60. https://www.museodelprado.es/en/the-collection/art-work/the-spinners-or-the-fable-of-arachne/3d8e510d-2acf-4efb-af0c-8ffd665acd8d

Vivaldi, Četiri godišnja doba, 1718.–23., https://www.youtube.com/watch?v=Bup5gUS_s5A&list=PLS6rgQ0rU2P6JfzwAB5fi_ggr_VZqSRQH 

Recomposed by Max Richter: Vivaldi – Četiri godišnja doba, 2012. https://www.youtube.com/watch?v=XqthxoJEf7c&list=OLAK5uy_nlVsyX0dWJn0qJiTWyyxgw7nu_Z7AjeYU&index=1

Velázquez, Portret pape Inocenta X., o. 1650.

https://upload.wikimedia.org/wikipedia/commons/7/7f/Retrato_del_Papa_Inocencio_X._Roma%2C_by_Diego_Vel%C3%A1zquez.jpg?utm_source=en.wikipedia.org&utm_campaign=imageinfo&utm_content=original

Francis Bacon, Studija prema Velázquezovom portretu pape Inocenta X., 1953.

https://en.wikipedia.org/wiki/File:Study_after_Velazquez%27s_Portrait_of_Pope_Innocent_X.jpg

Stilska aproprijacija i transformacija naslijeđenog rukopisa

RAYE, Suzanne, 2025. https://youtu.be/UXhjTNwfRB0?si=HCEjiyofnGPM-F_j 

Egon Schiele, Portret Artura Rösslera, 1910.

https://commons.wikimedia.org/wiki/File:Egon_Schiele_060.jpg

Egon Schiele, Klečeća djevojka, 1917.

https://commons.wikimedia.org/wiki/File:Egon_Schiele_-_Kniendes_M%C3%A4dchen_-_1917.jpeg

Zlatko Šulentić, Portret dr. Pelca, 1917. 

https://hr.wikipedia.org/wiki/Datoteka:Portret_dr._Pelca,_Zlatko_%C5%A0ulenti%C4%87,_1917.jpg

Djela Amoaka Boafa, ističemo Gregory Robert, 2019. https://bombmagazine.org/articles/2020/08/26/amoako-boafo/ 

Jenny Saville, Plan (slobodni prijevod Perspektiva), 1993. 

https://arthur.io/art/jenny-saville/plan 

El Lissitzky: Od kopije do interpretacije

El Lissitzky, Izbij Bijele Crvenim klinom, 1919. https://commons.wikimedia.org/wiki/File:Klinom_Krasnym_Bej_Belych.JPG

Ivan Picelj, Izbij Bijele Crvenim klinom, 1969. https://www.moma.org/collection/works/189492

Ivan Picelj, U čast El Lissitzkom, 1956. https://picelj.com/gallery/paintings/homage-toel-lissitzky/ 

Stanislav Mišić, Spomenik svim borcima i žrtvama fašističkog terora sela Slabinja, 1981. https://www.spomenikdatabase.org/slabinja 

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